Ballet Luminary Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

In the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is naturally straight-backed, his arms muscular beneath a plain white T-shirt. On stage, dancers can seem like mighty deities, yet often offstage they are petite. This is not true for Ball, whose height is part of his demand for princely roles and partnering. Possessing fine traits and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced little teasing for his childhood interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the company and was advanced each year, reaching the highest position of lead dancer in 2018. He has relished taking on substantial dramatic roles, especially the emotional angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured role is in a talk, in an "Evening With" event aiming to offer behind-the-scenes perspectives into a dancer's art. He will guide the audience through a part, showing his cognitive process while performance. Yet in lighter works, the test is profound. "Don Quixote is one of the most demanding technically," he states.

The Mental Struggle and Post-Performance Feelings

What about after a show, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel self-conscious later. Following Mayerling I'm always thinking: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."

Early Motivations and Artistic Inspirations

His determination originated in early experiences. Not excelling in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

The next endeavor is making his own choreography. In his view, "there's nothing wrong with." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from literature, music, and art.

Close-Up Dance and Personal Partnership

He also favors staging dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple are not typically matched on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Perception

On social media, fans can see videos from his projects and images that highlight a athletic form. Does he care that the response can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball characterizes his early self as "desperate for success." Did it met his hopes? "I am conscious of how reality is a separate reality to the aspirations you made as a child," he muses. He likely has another decade of dancing ahead. "I suppose in the future, I want to be a bit more gentle with myself."

Bradley Proctor
Bradley Proctor

Elara Vance is a seasoned business analyst with over a decade of experience in international markets and digital transformation strategies.